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Frahm has a brawny tenor sax sound, strong and consistent from top to bottom. His new trio album shows off his ability to use pacing and momentum to tell a compelling story.

Top Pentagon officials are testifying Tuesday for the first time since the completion of the U.S. military withdrawal from Afghanistan.

The CIA is establishing a mission center that will focus on the challenges posed by a rising China. This is the strongest sign yet that CIA Director William Burns considers China his top priority.

Democrats in Congress are trying to thread a seemingly impossible needle. They say they want to address things like child care, climate change and poverty. But they also need to keep the price down.

Boeing reported a big cut in profits on Wednesday as the 737 Max remains grounded. The company fired a top executive as questions remain about when the Max will return to service.

Last year it was all about chairs and headphones. This year it's time for T-shirts and sneakers — and more laptops. Back-to-school shopping in the U.S. is expected to top $37 billion.

Nearly 500,000 dirty diesel vehicles could be taken off the roads under a settlement approved by a judge in the Volkswagen emissions cheating scandal. VW has agreed to pay up to $14.7 billion to resolve claims from consumers and the U.S. government. Customers will be compensated under a VW buyback program, and the company will also pay to offset the pollution caused by the rigged diesel vehicles.

NPR's Mary Louise Kelly talks with Ben Ginsberg, a top Republican election lawyer, about Supreme Court rulings that blocked an attempt to challenge ballot deadlines in two swing states.

President Bush made an unnanounced visit to Baghdad on Tuesday for a face-to-face meeting with Iraqi Prime Minister Nouri al-Maliki and top members of the newly installed Iraqi Cabinet. Madeleine Brand discusses the presidential trip and the latest news from Iraq with Jamie Tarabay, reporting from Baghdad.

Swedish director Ruben Ostlund's class warfare comedy "Triangle of Sadness" won the Palme d'Or at the 75th Cannes Film Festival, giving Ostlund the prize for the second time.