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A new book skewers today's mindless corporate culture via the e-mails of Martin Lukes, a fictitious, ambitious, forty-something middle manager who works for a company that makes nothing in particular.

As the U.S. Forest Service celebrates its 100-year anniversary, its mission has become more complex. Scientists are studying a vast network of plumbing under the forest floor that in the dry West is more valuable than the trees above.

American Idol winner Fantasia Barrino is climbing up the R&B charts. One of her songs, "Baby Mama," is a tribute to young, single mothers. But as her popularity grows, critics worry the song is sending the wrong message.

Detroit-based musician Kem has hit the No. 1 spot on urban and R&B music sales charts with "I Can't Stop Loving You," a single song from his latest self-produced CD Album II. Ed Gordon talks to Kem about making jazz-influenced music on his own terms.

A profile of Tony Schwartz, an innovative and inspired sound gatherer, recording the sounds of America since 1945. A man who will venture no further than his postal zone, Mr. Schwartz has made more than 30,000 home recordings in the streets, delis, cabs, playgrounds and stoops of his New York neighborhood.

The singer-songwriter had a tough couple of years, losing both parents while balancing new love. The experience fueled the country-leaning balance of her new album, Big Time.

Media critic Ken Auletta tracks the development of Google from a search engine to the provider of all things Internet in his new book Googled: The End of the World As We Know It.

In Calef Brown's Flamingos on the Roof, mosquitoes wear tuxedoes, dogs sport plaid suits and thunder is a cafe staple. His new collection of poems and paintings creates a carefree world full of alliteration, frivolity and fun.

Host Bob Boilen rejoins co-host Robin Hilton for this week's essential mix of new music, tales from Bob's week on the road and a heart-stopping amount of coffee.

These 12 previously unreleased recordings all shine a spotlight on Hendrix's considerable charisma, preserving the guitarist's work in amber while still polishing it up as good as new.