Eric Deggans

They may be two of the most influential notes in funk-rock history: the soaring, plaintive start to guitarist Eddie Hazel's legendary solo in Funkadelic's "Maggot Brain."

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"Master Of None" returns on Sunday. It's an Emmy-winning series by Netflix. The third season centers on a character played by Lena Waithe, who's also the writer and producer. Our TV critic Eric Deggans says this is a change in focus with an off-screen backstory.

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Watching Elon Musk slouch his way through a stint hosting NBC's Saturday Night Live, I had one thought: Lorne Michaels, gentleman provocateur, has done it again.

Michaels, the sketch show's longtime executive producer and guru, does many things well. But his talent for poking the zeitgeist with attention-getting hosting choices may be one of his least appreciated talents — and his secret weapon for keeping SNL in the national conversation.

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It was this announcement that deflated a three-hour-plus broadcast.

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JOAQUIN PHOENIX: And the Academy Award for actor goes to Anthony Hopkins, "The Father."

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Nearly 140 documentary filmmakers have signed onto a letter given to PBS executives, suggesting the service may provide an unfair level of support to white creators, facing a "systemic failure to fulfill (its) mandate for a diversity of voices."

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Let's get this out of the way first. Yes, Zack Snyder's Justice League is just over four hours long.

Four. Hours. Long.

Yet, somehow, it feels like the right length for a film that has moved mountains — and reportedly spent around $70 million beyond its original, blockbuster budget — to reinvent one of the biggest superhero movie bombs in recent memory.

And here's the thing: It actually succeeds. In more ways than I ever expected.

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OK, be honest. When I say craft beer, what comes to mind? A hoppy IPA? Sure. But maybe also, as James Bennett II writes in the digital magazine Eater, a, quote, "white guy swilling beer in specialty stemware in an authentic bar riddled with fugazi bullets in a gentrified neighborhood," unquote. And maybe we'll throw in some plaid shirts and beards along with that.

My first thought, when I heard about HBO's docuseries Allen v. Farrow, was that this moment was inevitable.

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When it came time to pick the best TV shows of 2020 late last year, I and my fellow critics at NPR were all over the map. But there was one we could all agree on: Michaela Coel's HBO drama I May Destroy You. A masterpiece, it was the only show that landed on everyone's best-of list.

So it was a surprise to look at the roster of nominees for the Golden Globe awards in television on Wednesday and not see her name or the show listed anywhere.

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Rap duo Salt-N-Pepa were hit machines in the 1980s and '90s with huge songs like "Let's Talk About Sex," their collaboration with En Vogue, "Whatta Man," and "Push It."

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Something significant shifted in media this year — and it's not just about the pandemic keeping us inside, glued to screens. It's all due to a simple idea: cater to the will of the consumer.

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