Tim Greiving
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Tom Holkenborg draws on his history as trance DJ Junkie XL for the bombastic electronica-meets-orchestra music he has composed for Mad Max: Fury Road, Batman v. Superman, and now The Dark Tower.
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His sound has helped define David Lynch's work since Blue Velvet and was an essential character in the original Twin Peaks. Now, Badalamenti and Lynch are reuniting for the show's revival.
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When a film starts, "you have anywhere from two to 10 seconds to get the audience's attention," score writer Bear McCreary says. He gained this and other advice from his mentor, whom he met by chance.
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Alejandro Gonzalez Iñarritu's last film, Birdman, sparked Oscar controversy with its spare music. The Revenant features a swirl of sounds, anchored by the work of Japanese composer Ryuichi Sakamoto.
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Writing music for The Good Dinosaur was a seven-month journey for brothers Mychael and Jeff Danna, not all of it glamorous.
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The show's distinctive score is the work of Jeff Beal, who ushers viewers into its clandestine, manipulative and sometimes violent world by breaking a few musical rules.